Shuji Uehara, a Japanese watercolour painter, shares his experiences, and advice, about painting courses and holidays in the UK.

I have been visiting the UK to attend painting courses and painting holidays for over fifteen years. This is something that simply does not exist in Japan, there is not even a word to describe a painting holiday. In Japan, artists tend to go to art discussions rather than practical sessions.

From The White Lion, Tenterden, 16x24in (40.5x61cm)

I have visited the UK since 2000, primarily to meet friends and join painting courses. My first course was with Bryan Thatcher at Brush-Strokes Studio in Snowdonia. Since then I have found each course leads to another wonderful painting experience and more new friends. Each day brings different styles, experiences and inspiration.

On a course or holiday, you don't have to worry about transport, food, where to stay, or even subjects and themes. You are free to just paint and talk with your fellow artists.

Looking for more painting workshops and holiday advice? Check out our collection of handy guides with top tips from artist tutors.

My three top tips for making the most of your trips...

Dolwyddelan Village, watercolour, 16x24in (40.5x61cm)

1. Before the trip, plan your journey creatively and imagine the people you will encounter
2. During the trip, appreciate everything you experience, from the art and food to the places and scenery you visit
3. After the trip look back and enjoy your recollections and create a travel journal

Equipment

West Sands, watercolour, 16x24in (40.5x61cm)

I travel by public transport so my luggage allowance is limited. Because of this, I organise the art equipment I take with me carefully.

• A clear plastic portfolio to carry A3 140lb Langton or Saunders Rough paper
• In the clear plastic portfolio I tuck a map in one of the outer sides and a bus route on the other
• A palette made by the Japanese maker, Holbein
• Winsor & Newton Artists’ watercolour and a Bijou paint box
• A small plastic bottle, attached at the top and bottom of a cup-shape container.
• A Japanese Namura No.16 round brush, called Half, which is half ox hair and half synthetic hair
• Raphael’s mop and rigger brushes
• Roberson pocket sable travel brush
• A Japanese-made Pilot ultra bold 1.6mm tip ballpoint pen
• A small Moleskine notebook
• Plus a cutter, sponge, Schmincke’s masking fluid, and a small pack of tissues

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Yokohama-based watercolour artist, Shuji Uehara taught art in high school for 36 years. He also tutored adults in figure drawing and watercolour painting. He is now retired and continues to enjoy attending painting holidays in the UK.